11 November 2020

In search of the UK’s great “city films”: York, North Yorkshire, and Humberside

By Gareth Potts

 

A bit of an introduction

 

If you have not read about the origins and methodology of the City Films blogs, you might want a quick glance at the first one here.

 

The geographical focus here is Yorkshire’s county town of York (which did not form part of any of that county’s three historic ridings), North Yorkshire, and Humberside. This latter, which existed as a formal region from 1974 to 1996, includes the area immediately north of the Humber (notably Hull) that traditionally belonged to Yorkshire and the area to the south of said river that was traditionally part of Lincolnshire.

 

I should point out that Harrogate, and the urban areas of south Humberside – notably Cleethorpes, Scunthorpe, and Grimsby – all have no city films. The Sacha Baron Cohen film ‘Grimsby’ has no connection to said city other than the name (let us speak of it no more).

 

The area south of the Tees around Middlesbrough was historically part of North Yorkshire but is today part of the North East of England region and so is dealt with in the blog for that region.

 

Finally, I should just add that I broke my own 60-minute minimum rule here a few times as there were (so I initially thought) not a huge number of films from this area and because some that were less than an hour were otherwise terrific city films.

 

The Films

 

The Fishing Party (1972) is set in the North Yorkshire coastal town of Whitby (part of Scarborough Borough). Originally a radio play, it became a tv film from the BBC’s Play for Today stable. The 57-minute film sees three Leeds-area miners go to Whitby where they stay in a guest house and go sea fishing. Despite no real local connections, there are several nice shots of Whitby’s harbour area (through which the River Esk runs out to sea) and views up to the cliff-top terrace of homes that overlooks the town. The Duke of York pub can even be seen in the corner of one early scene. LL

A scene from The Fishing Party
 

Land of Green Ginger (1973), about a young Hull woman deciding whether to return from London for good and settle down with her trawlerman boyfriend, is set and shot in and around (Kingston upon) Hull. Numerous locations are shown including the King Billy statue, Holy Trinity Church (now Hull Minster) and the Market Place that used to be located there, the Bransholme council estate, Hessle Road, the centre of West Hull’s fishing community, the Grade II-listed Alexandra Hotel (in Hessle Road), Paragon rail station, Pickering Park, shots of Hull from a trawler on the Humber; Hull Maritime Museum, historic shopping street Whitefriargate, Hessle Foreshore (from which we see where the Humber Bridge will be built); and Humber Dock Basin. The film also shows lots of non-actors going about their daily lives. The Land of Green Ginger of the film’s title is a narrow street – which we don’t get to see - at the bottom of Whitefriargate in the city’s old town. We also see several buses in the city corporation’s distinctive livery. The lead actors were not Hull folk but Clive Hunter, the taxi driver, (organist and ‘gaff-man’ at the Three Tuns pub) and Ivy Cawood, who plays John’s mum (organist at the now-closed Belmont Club) were amongst the well-known faces from Hull clubland (club performers have union recognition). The screenplay was written (and shooting locations stipulated) by Alan Plater who grew up in Hull, attended Kingston High School, returned to the city to live after going away to university. Some people wrote to Hull Daily Mail complaining that the play concentrated on the fishing industry and themes of decline. The city is nonetheless proud of Plater - he received honorary degrees from the University of Hull (which holds his archive) and is commemorated with a green plaque on The Avenues. The storyline’s attention to the risk involved in the fishing industry was relevant as just five years earlier Hull had lost three trawlers in ten days. The soundtrack comes from Hull folk group The Watersons who also appear in a pub scene (filmed at The Haworth Arms). Plater even adapted some of the song lyrics to mention local places. There’s a BBC Radio Humberside shipping news clip included too - a quick Google reveals that the station pre-dates the official Humberside region by three years. The film had a special showing, organized by Hull writer Jim Hawkins, at the city’s Spring Street Theatre (where Plater had co-founded the Humberside Theatre in 1970) that was followed by a Q&A (covered on BBC Radio Humberside). It is just a terrific if short (49-minute) ‘city film’. The academic Dave Rolinson has written a wonderful analysis of the film which you can access here. LL

A scene from The Land of Green Ginger

See You at Wembley, Frankie Walsh (1987) is a 27-minute Hull-set film that focused on some Hull City fans balancing a wedding date (in which one of them is getting married) with their team’s appearance in a (fictional) FA Cup semi-final. It was an early outing for Writer-Director Mark Herman a former Hull Art College student who is originally from Bridlington (25 miles or so to the north of Hull). Herman, an avid Tigers fan, is noted for getting Hull City references into his films and even directed a documentary on Hull City's 1984 pre-season tour of Florida. The Frankie Walsh film’s opening footage was shot at the now-demolished Boothferry Park, home to Hull City from 1946 until 2002 when they moved to the KC Stadium. Other locations include: Albion Street (bridegroom’s flat); Drypool Bridge over the River Hull (bridegroom’s mates headed to the semi-final); Whitefriargate (best man running to the wedding); the Humber Bridge; and Beverley Marketplace with the old Playhouse Cinema in the background.  The Whitefriargate and Beverley scenes even show off Hull’s famous cream-coloured pay-phone boxes. The vicar at the wedding is Hull born-and-raised Roy North – also the sidekick of Britain’s best-known comedy fox Basil Brush. The wedding was filmed at the Grade I-listed Saint Martin’s Church in Burton Agnes, a village near Bridlington. The Dixieland jazz track is perfect for the funny material and the ending is clever. LL

 

A Chorus of Disapproval (1989) is a Scarborough-shot film about a widower's romantic liaisons at an amateur operatic group. In addition to sweeping shots of the town and sea, shooting locations include the Castle Community Centre, the New Steps off Foreshore Road (the seafront strip), Oliver’s Mount War Memorial and its amazing views of the town and sea below, the Royal Opera House, Scarborough train station, and The Bell Hotel at Bland's Cliff. We also see glimpses of the town’s cheap and cheerful side– the Ghost Train, funfair, pound stores, and the (then closed and now built-upon) South Bay Pool. The film, which has a great cast, is based on a play of the same name by the town’s favourite son, Sir Alan Ayckbourn, and written for the 1984 summer season at his Stephen Joseph Theatre. Ayckbourn also co-wrote the screenplay which was then heavily edited by Winner. Ayckbourn later alleged that Winner “missed the point of the play, which is that it parallels The Beggar's Opera. He lowered the film for an audience who probably wouldn't watch it anyway. It just ended up missing everybody." As someone blissfully unaware of this comparison, I thought it was a good film and was amused to see high-quality actors and actresses playing hams. There's also a nice story of local lad Andy Hylton who, in a desire to experience the film industry, applied to do runner work but then landed a bit-part because he had a dog (he is the dog walker who gives directions to Jeremy Irons' character) and then served as a camera stand-in for Anthony Hopkins who he got to meet (Hylton now works in the film industry). LL

 

Promo poster for A Chorus of Disapproval

Small Zones (1990) is a BBC feature film set against the backdrop of unemployment in mid-80s Hull. The story centres upon an abused wife who is moved by the poetry of Irina Ratushinskaya, a Russian woman serving hard labour for her dissident writing. The poet, who passed in 2017, was a real person and the play was intended to highlight her plight. Filming took place on location in late 1988 on Humberside and Spurn Head (mouth of the Humber Estuary). The film was written by Hull-based writer Jim Hawkins drawing from a BBC2 play by writer Simon Thirsk. It doesn’t seem to be available to watch. LL


Dancing Queen (1993) is a 51-minute made-for-TV romantic comedy film about a bridegroom (Rik Mayall) stranded in Scarborough after a stag-night prank and trying, with the help of a stripper (Helena Bonham-Carter), to get back to his bride. The film, available in a DVD collection, shows off numerous Scarborough locations, including the Sun Court at Grade II-listed The Spa, the station and surrounds, Museum Terrace, Foreshore Road, the New Steps, the Lighthouse Inn on the quay, the fish quay, Ghost Train, Harbour, Hole in the Wall pub, beach, funicular, the old Lifeboat Station, Scarborough Castle and what looks very much like the Harbour Bar café (discussed ahead).


Little Voice (1998), based on a play about a shy woman with a great voice, is another film set and shot in and around Scarborough. The film’s Director and screenplay writer, Mark Herman, is originally from Bridlington, fifteen miles or so to the south. There’s a great 10-minute tv clip here that outlines the locals involved in set design, as musicians, or who had extra roles and the even greater number who auditioned. One local auditionee, Melodie Scales, even had a line as George's ‘bit on the side’. There are some great sweeping shots of the town and specific locations included the Sun Court at Grade II-listed The Spa, The Coffee Beans café (now The Hideout Cafe Kitchen & Bar), the Pavilion Garage and the (closed) Leeds Hotel pub (The Seabirds in the film). Now-demolished locations include Barwick Terrace (Hoff's Record Shop in the film) and The Rendezvous Club at Wallis's Holiday Centre in Cayton Bay (the nightclub). It is a good film with some great performances - including Brenda Blethyn's that garnered her a second Academy Award (Oscar) nomination. As if that weren't enough, Michael Caine’s sweary singing scene is hilarious.

 

Promo poster for Little Voice

Up n' Under (1998) was based on a mid-1980s play about a rugby league pub team from Hull. The tale was based on a real pub in Kirk Ella to the west of Hull. The play was written by John Godber who, in 1984, left his job lecturing at the University of Hull to become artistic director of the Hull Truck Theatre Company (in 1983 this had set up at the Spring Street venue mentioned earlier). Hull is certainly a rugby league city – with two professional teams (Hull F.C. who play on the west side of the River Hull, and Hull KR (Kingston Rovers) on the east side of said river). The film however was shot in Cardiff - a chance for a good Hull city film gone begging. LL

 

Captain Jack (1999) stars Bob Hoskins as a rebellious captain of a small Whitby boat who, despite officials declaring his boat unready for a planned voyage to the Arctic (Jan Meyen Island) in commemoration of his seafaring hero (Whitby whaling Captain, William Scoresby – also possibly the inventor of the crow's nest), sets off and makes the trip. The film is based on a true-life incident in 1991 involving a Whitby man, Jack Lammiman whose motley crew included a vicar, a lady pensioner, and a 62-year-old Royal Navy veteran. He eluded the harbour master by leaving amongst the Whitby trawlers as they put out to sea. Lammiman then evaded an international search by the naval authorities using techniques that included painting his boat a different colour and arrived back at his home port of Whitby to a hero's welcome, a fine, and (after non-payment of his fine) four days in jail. The film was good for the town's business with seventeen different hotels and pubs taken over by the crew. The Whitby Pavilion Theatre had become a helicopter base, the Quaker House (which features in several scenes) was a production office and the council car park had been taken over by several production vehicles. When the return-to-harbour scene was filmed the cast was joined not only by the recruited extras but by hundreds of others who spontaneously came out of their houses to take part and/or watch. We see a good deal of Whitby – the harbour, the Bay, St. Mary's Church, Abbey Steps Tea Rooms, the amazing Whitby Abbey, and the Captain Cook statue and nearby green. There’s even a shot of a van from North Yorkshire coast furniture firm Beevers. The cast is not local although Hull-raised actress Maureen Lipman has a good role as Jack’s prospective love interest. There is a great account of the trip and film by the journalist Nick Davies here. LL

 

Jack Lammiman (centre) chatting on-set in Whitby with Bob Hoskins (right)

The mid-2000s saw a couple of BBC films about Hull that were written and directed by John Godber. Thunder Road (2001) was an experimental TV series set in a troubled social club in Hull (then the Pearson and now the New Cleveland Social Club). Viewers could interact with the storyline. Despite being a series, the work was also, upon completion, boiled down to a 90-minute summary version. Godber outlines the project here. LL

 

Odd Squad (2005) is a 30-minute children’s film set and filmed in and around Hull. It was directed by John Godber, still Director of Hull Truck Theatre at the time, and written by him and his wife Jane Thornton. The double BAFTA-winning BBC drama, about three sixteen-year-old schoolkids, is set in a fictional school although filming took place at (the real but now closed) Sydney Smith School in Anlaby as well as other locations around Hull. Eight local youngsters made their television acting debut in the production – including one as Ellie (one of the three lead roles). Many more local kids appeared as extras - including students from Sydney Smith. LL

 

Screwed (2011) is based on Ronnie Thompson’s best-selling book of the same title that details his seven years as a warder at different UK prisons. The former Dean Road Prison in Scarborough was used as the prison in the film and, as such, played host to the production team for a month. Scarborough Council officers, notably Rowenna Marsden who has been thanked in at least two film credits, assisted with other locations for the film (such as Queen Street, Boleyn’s Nightclub, and the Oasis Café with its lovely beach and sea views), locals volunteered as helpers and as extras (mostly as prison inmates). The Council is also credited with supplying catering to the film! The acting is good although the actors aren’t local, and the accents are almost all Cockney-esque. LL


ID2: Shadwell Army (2016) is a belated sequel to 1995 cult football hooliganism classic, ID. The film was backed by Screen Yorkshire’s Yorkshire Content Fund and shot on location in and around Hull. Locations include Hull's Trinity Square, a Hull mosque, and the canal in Beverley. The University of Hull hosted the film’s production offices and producers gave trainee placements to a group of film students. Local actor Benjamin Harris had a decent role and Andrew Pearson, artistic director of the Hull-based Ensemble 52 Theatre Company, served as a production consultant (as well as having a small role as a police officer). It is not however a true city film as the story is about a new mosque erected in the middle of a rundown East London estate, next to fictional Shadwell Town FC’s ground. Hull is called upon to double both for that area and Amsterdam! LL


Scott and Sid (2018) is a coming-of-age feature film directed, written, and produced by Scott Elliott and Sid Sadowskyj and based on the two friends’ real lives and ambitious life plans hatched in and after their days as pupils at Beckfoot School in Bingley (Bradford). Of the seven-week shoot, four weeks were spent in York where Elliott and Sadowskyj both had homes in their twenties. York locations, with which York City Council helped greatly in securing, include the city walls, ASK Italian restaurant in the Assembly Rooms, Bishopshill, Biltmore Bar and Grill on Swinegate, Grays Court Hotel, the Aviva boardroom (looking out on York Minster), offices on Toft Green, and Huntington School. The Biltmore shoot featured many extras who were club-goers recruited just before on the city’s night-time streets. A day after the international premiere in London there was a sold-out Yorkshire premiere at York’s Everyman Cinema after which the two writer-directors participated in an audience Q and A. In addition to a bit of London filming several locations were also used in the Bradford-Leeds area which, given the filmmakers’ origins, could also claim it as their city film.


Preparing to film in Prospect Terrace, York

A scene from Scott and Sid - with York Minster in the background


Scarborough (2018) is about two different couples - each comprising of a teacher and a student - spending a weekend at a Scarborough hotel. The original play's script set the characters in a bed and breakfast (in Scarborough) whereas, in the film, it is a hotel. The hotel used in the production is the (Grade II* listed) Grand Hotel, though for the film it is renamed The Metropole. Shooting took place in Scarborough in 2017 and the film had its UK premiere in the town’s Stephen Joseph Theatre in September 2019. There are some great artsy aerial shots of the beach at the start and we also see various seaside leisure facilities – the Olympia Bowl (tenpin bowling), amusement arcades, St. Nicholas Café, Foreshore Drive, the Cliff Bridge footbridge, the funicular railway, Sun Court at The Spa, Luna Park funfair, Aston Pharmacy, the impressive Harbour Bar seaside café, and, as in A Chorus of Disapproval, an ending at the train station. You also get a good look at the Grand Hotel – both inside and out. LL


A scene shot in the Harbour Bar Cafe

The Runaways (2019) is a tale about three children who embark on a journey to find their mother following the death of their father who ran a beach donkey business in Whitby. The storyline sees the children leave Whitby a little over a third of the way into the film but that is enough time to have seen numerous locations in the town including great shots of the Abbey, harbour, and beach as well as, more briefly, the entrance to the delightfully-named Arguments Yard, the famed Trenchers fish and chip restaurant, and The Black Horse pub in the Old Town. The pub sing-along was filmed in The Elsinore and included many of the musicians who play there at that establishment’s weekly folk night. Locations just outside Whitby include Runswick Bay, and two of the stations on the North York Moors Railway (Grosmont and Goathland). More generally, almost all locations fell within Scarborough District (in which Whitby lies), neighbouring Ryedale District, and Hambleton (where the Ritz Cinema in Thirsk even gets a quick look-in). The production team also generated a short booklet on the film which included a terrific map outlining most of the shooting locations. There’s not a huge local connection in terms of people involved although the father is played by York-born-and-raised Mark Addy and Steve Huison (who, like Addy, starred in The Full Monty) lives in nearby Robin Hood’s Bay. The writer-director, Sheffield-based Richard Heap, has a connection with the North Yorkshire coast having spent a lot of time there with his family over the years. LL


A very useful map from The Runaways production booklet

 

B Negative (2019) is a comedy feature about a man who helps a vampire club in return for immortality. It is very much a Hull affair – writer-director Phillip Codd and his indie film outfit which made the film, Mollusc Films, are based in the city. The company forms part of the Humber Film collective, located in Hull’s Old Town, which was established to develop local talent in the art and business of filmmaking in the Humber region. Codd’s fellow Humber Film members formed the core of the production team. Many of the lead actors - Louise Willoughby, Peter McMillan, Benjamin Harris (see ID2), and Ailsa Oliver - are Hull-based. The film is shot locally with local places to feature including the Masonic Hall in Dagger Lane, the Union Mash Up bar-venue in Prince’s Avenue, St Mary’s Church in Lowgate, and Mrs. Wilson’s pub located inside the Welly Club. To complete the local dimension, catering was supplied by a local vegetarian restaurant, Hitchcock’s. LL


Nocturnal (2019) is about a man who becomes obsessed with a schoolgirl and starts spending more and more time with her. Bridlington locations included the Harbour Café and Shaw’s Amusement arcade whilst Costello Stadium, the Hull-Rotterdam Ferry terminal, and Atik nightclub, complete with local extras, were amongst the recognizable Hull locations used. Hull filmmaker and BAFTA award winner Chris Hees of Hull-based Bridgeway Films was co-producer on the film – he has also been involved with the films One Summer and Reasons to be Cheerful (see ahead). Nocturnal could however possibly be seen by some as a bit of a lost opportunity for a Brighton city film as the original screenplay was set in said town and was penned by Brighton-based Olivia Waring. LL

 

Promotional poster for Bridlington-Hull film Nocturnal



One Summer When You Went Away (forthcoming) is a coming-of-age feature about a young-ish lad who has grown up on an estate in east Hull and meets a talented young woman who’s newly arrived in the city. It is very much a Hull-area film – Directed by Chris Hopkin who co-wrote it with Julian Woodford, both Hull-based. The film was partly inspired by Woodford’s experiences living in a high rise on Bilton Grange estate (East Hull) and meeting talented youngsters that he felt had been failed by the education system. Dead Bod Films aims to tell local stories using local talent and was founded in 2015 by Hopkin, Woodford, and Emily Brown, the producer of One Summer. Brown was on a paid internship as part of a development programme, facilitated by the afore-mentioned Chris Hees, and funded by the British Film Institute and Creative Skillset. The lead actors (Laurence Ellerker, Stan Haywood, Kenneth Mguni, Laura Peterson, and Angela Stone) and the 25-strong crew are all either from or have made their homes in the Hull and East Yorkshire region. Amongst the fifteen shooting locations were the former Hull to Hornsea cycle path, once a railway line to the Yorkshire coast, Pearson Park, the independent Beasley's clothing store on Hepworth Arcade, and the Old Black Boy pub in Hull's Old Town. The micro-budget film benefited from the generosity of numerous local companies, including East Yorkshire Motor Services who, with the help of transport consultant Adam Fowler, lent them a double-decker! A soundscape was created for the film by Hull composer, filmmaker, and sound designer Phil Codd; there is a unique full original score by Hull composer Joe Roper, and a soundtrack created with the help of Ryan Johnson of Hull's not-for-profit Warren Records using songs by Hull bands including Crooked Weather, The Dyr Sister, The Fronteers, and Joe Russell-Brown. Throughout filming and post-production, Dead Bod Films has depended on support from the aforementioned Humber Film.


Kenneth Mguni, Laurence Ellerker, and Laura Peterson take a break in filming



Last Laugh (forthcoming) is a John Godber-penned feature-length film about a Hull University theatre lecturer (which Godber was) with dreams of becoming a stand-up comedian. It was mainly shot in Hull but with Whitby and the Yorkshire Moors also featuring and was made using a mainly local cast and crew. The film is a development of Godber's 1997 play Weekend Breaks, written when he was still based in the city. Hull's Welly Club music venue was used for the comedy night scenes. Godber (and his wife also have prominent roles in the film. There is a trailer for the film, shot in 2017, and you can visit the production company (Visualize Films) website to see when it might appear.

 

Promo poster for Last Laugh - featuring the Humber Bridge


Saint Maud (forthcoming) is about Maud, a newly devout hospice nurse who becomes obsessed with saving her dying patient’s soul. The debut film from writer-director Rose Glass was partly filmed on the cliffs and coast in and around Scarborough where 80 townsfolk served as extras for scenes filmed at the seaside town's South Bay. A property in London was used to film scenes inside the patient’s house but the seafront arcades and alleys in Scarborough were used for exterior shots. Surrounding cliffs, South Bay Beach, and the amusements also feature.

Promo poster for Saint Maud
 

Reasons to be Cheerful (forthcoming?) is a tale of a late 30s man who keeps a promise to his late wife and pursues his dream of being a stand-up comedian. The production company, Bridgeway Films, claims that “the strong family bond and local pride shown on screen is a truer representation of daily life for Hullians than anything seen before”. The film is in development with the BFI – you can keep tabs on it here.

 

Muddy Cows (forthcoming?) is another John Godber penned screenplay based on his play set around amateur female rugby union. Filmed in Scarborough and the East Coast of Yorkshire, the film is reported to be “seeking finance and in pre-production”. As with Last Laugh, it is from the still fairly new Visualize Films stable.


So … my top York, North Yorkshire, and Humberside city films are:

Scott and Sid                                  York

Little Voice                                      Scarborough

Captain Jack                                   Whitby (very honourable mention)

Nocturnal                                        Bridlington-Hull (very honourable mention)

Land of Green Ginger                     Hull (very honourable mention)

 

The author, a Brit. based in Washington DC, is on Twitter at @newbarnraising.

2 comments:

  1. You missed one...................Rick Mayall....Dancing Queen 1993

    ReplyDelete